{"id":11083,"date":"2019-06-10T14:07:23","date_gmt":"2019-06-10T18:07:23","guid":{"rendered":"https:\/\/ovationtv.com\/?p=11083"},"modified":"2022-06-14T13:39:43","modified_gmt":"2022-06-14T17:39:43","slug":"ali-stroker-wins-tony-making-history-on-four-wheels","status":"publish","type":"post","link":"https:\/\/ovationtv.com\/ali-stroker-wins-tony-making-history-on-four-wheels\/","title":{"rendered":"ALI STROKER WINS TONY, MAKING HISTORY ON FOUR WHEELS"},"content":{"rendered":"<p>Last night at the <a href=\"https:\/\/www.tonyawards.com\/\">Tony Awards<\/a>, Ali Stroker became the first person who uses a wheelchair to win the coveted Tony Award. Stroker won for her portrayal of Ado Annie in the current production of <em>Oklahoma!<\/em>\u00a0It is exciting that <em>Oklahoma!<\/em>,\u00a0a Rodgers and Hammerstein musical almost one hundred years old that is considered to have changed musical theater, is once again a part of history making.<\/p>\n<p>Stroker made her Broadway debut in the revival of <em>Spring Awakening<\/em> in 2015. She is also an alumnus of <a href=\"https:\/\/glee.fandom.com\/wiki\/The_Glee_Project\">The Glee Project<\/a>.<\/p>\n<p>Stroker saw her first Broadway show as a kid and decided that nothing would stop her from achieving her dream of performing on the Great White Way.\u00a0 She dedicated her award to other people facing adversity:<\/p>\n<blockquote><p>This award is for every kid watching tonight who has a disability, who has a limitation or a challenge, who has been waiting to see themselves represented in this arena. You are.<\/p><\/blockquote>\n<p>Stroker also made a plea to make Broadway theatres more accessible for people with disabilities. She is making theatre more inclusive and becoming an inspiration in the process.<\/p>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpte3xm00103h66qoa3trhu@published\" data-word-count=\"76\">The full 2019 Tony Award winners list is below.<\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm7z9v001u3h66nazsdxrh@published\" data-word-count=\"14\"><strong>Best Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm7z9v001u3h66nazsdxrh@published\" data-word-count=\"14\"><em>Choir Boy<\/em><br \/>\n<strong><em><span style=\"color: #dea2a8;\">The Ferryman<\/span><\/em><\/strong><br \/>\n<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\n<em>Ink<\/em><br \/>\n<em>What the Constitution Means to Me<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857j00223h66iqt0lt0z@published\" data-word-count=\"13\"><strong>Best Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857j00223h66iqt0lt0z@published\" data-word-count=\"13\"><em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\n<em>Beetlejuice<\/em><br \/>\n<strong><em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/strong><br \/>\n<em>The Prom<\/em><br \/>\n<em>Tootsie<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857j00233h66aggmz3sa@published\" data-word-count=\"17\"><strong>Best Revival of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857j00233h66aggmz3sa@published\" data-word-count=\"17\"><em>Arthur Miller\u2019s All My Sons<\/em><br \/>\n<strong><em><span style=\"color: #dea2a8;\">The Boys in the Band<\/span><\/em><\/strong><br \/>\n<em>Burn This<\/em><br \/>\n<em>Torch Song<\/em><br \/>\n<em>The Waverly Gallery<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857k00243h665yz609vh@published\" data-word-count=\"10\"><strong>Best Revival of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857k00243h665yz609vh@published\" data-word-count=\"10\"><em>Kiss Me, Kate<\/em><br \/>\n<strong><em><span style=\"color: #dea2a8;\">Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/span><\/em><\/strong><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857k00253h66y4af23vx@published\" data-word-count=\"32\"><strong>Best Book of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857k00253h66y4af23vx@published\" data-word-count=\"32\"><em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em>, Dominique Morisseau<br \/>\n<em>Beetlejuice<\/em>, Scott Brown &amp; Anthony King<br \/>\n<em>Hadestown<\/em>, Ana\u00efs Mitchell<br \/>\n<em>The Prom<\/em>, Bob Martin &amp; Chad Beguelin<br \/>\n<strong><em><span style=\"color: #dea2a8;\">Tootsie, Robert Horn<\/span><\/em><\/strong><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857l00263h668cnoxiab@published\" data-word-count=\"44\"><strong>Best Original Score (Music and\/or Lyrics) Written for the Theatre<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm857l00263h668cnoxiab@published\" data-word-count=\"44\"><em>Be More Chill<\/em>, Music &amp; Lyrics: Joe Iconis<br \/>\n<em>Beetlejuice<\/em>, Music &amp; Lyrics: Eddie Perfect<br \/>\n<strong><em><span style=\"color: #dea2a8;\">Hadestown, Music &amp; Lyrics: Ana\u00efs Mitchell<\/span><\/em><\/strong><br \/>\n<em>The Prom,<\/em><strong>\u00a0<\/strong>Music: Matthew Sklar Lyrics: Chad Beguelin<br \/>\n<em>To Kill a Mockingbird<\/em>, Music: Adam Guettel<br \/>\n<em>Tootsie<\/em>, Music &amp; Lyrics: David Yazbek<\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm98ib002d3h66p5hh1c5f@published\" data-word-count=\"23\"><strong>Best Performance by an Actor in a Leading Role in a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpm98ib002d3h66p5hh1c5f@published\" data-word-count=\"23\">Paddy Considine,\u00a0<em>The Ferryman<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Bryan Cranston,\u00a0<em>Network<\/em><\/span><\/strong><br \/>\nJeff Daniels,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\nAdam Driver,\u00a0<em>Burn This<\/em><br \/>\nJeremy Pope,\u00a0<em>Choir Boy<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmb1fv002s3h66ztos5czb@published\" data-word-count=\"32\"><strong>Best Performance by an Actress in a Leading Role in a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmb1fv002s3h66ztos5czb@published\" data-word-count=\"32\">Annette Bening,\u00a0<em>Arthur Miller\u2019s All My Sons<\/em><br \/>\nLaura Donnelly,\u00a0<em>The Ferryman<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Elaine May,\u00a0<em>The Waverly Gallery<\/em><\/span><\/strong><br \/>\nJanet McTeer,\u00a0<em>Bernhardt\/Hamlet<\/em><br \/>\nLaurie Metcalf,\u00a0<em>Hillary and Clinton<\/em><br \/>\nHeidi Schreck,\u00a0<em>What the Constitution Means to Me<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbfkx00303h66ttfn4ir1@published\" data-word-count=\"31\"><strong>Best Performance by an Actor in a Leading Role in a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbfkx00303h66ttfn4ir1@published\" data-word-count=\"31\">Brooks Ashmanskas,\u00a0<em>The Prom<\/em><br \/>\nDerrick Baskin,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\nAlex Brightman,\u00a0<em>Beetlejuice<\/em><br \/>\nDamon Daunno,\u00a0<em>Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Santino Fontana,\u00a0<em>Tootsie<\/em><\/span><\/strong><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbk6700383h66kz0tq4tf@published\" data-word-count=\"24\"><strong>Best Performance by an Actress in a Leading Role in a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbk6700383h66kz0tq4tf@published\" data-word-count=\"24\"><strong><span style=\"color: #dea2a8;\">Stephanie J. Block, <em><span style=\"color: #dea2a8;\">The Cher Show<\/span><\/em><\/span><\/strong><br \/>\nCaitlin Kinnunen,\u00a0<em>The Prom<\/em><br \/>\nBeth Leavel,\u00a0<em>The Prom<\/em><br \/>\nEva Noblezada,\u00a0<em>Hadestown<\/em><br \/>\nKelli O\u2019Hara,\u00a0<em>Kiss Me, Kate<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbzbz003h3h66vq4berss@published\" data-word-count=\"30\"><strong>Best Performance by an Actor in a Featured Role in a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmbzbz003h3h66vq4berss@published\" data-word-count=\"30\"><strong><span style=\"color: #dea2a8;\">Bertie Carvel,<em><span style=\"color: #dea2a8;\">\u00a0Ink<\/span><\/em><\/span><\/strong><br \/>\nRobin de Jes\u00fas,\u00a0<em>The Boys in the Band<\/em><br \/>\nGideon Glick,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\nBrandon Uranowitz,\u00a0<em>Burn This<\/em><br \/>\nBenjamin Walker,\u00a0<em>Arthur Miller\u2019s All My Sons<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmc9ml003p3h66ao7arzdo@published\" data-word-count=\"32\"><strong>Best Performance by an Actress in a Featured Role in a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmc9ml003p3h66ao7arzdo@published\" data-word-count=\"32\">Fionnula Flanagan,\u00a0<em>The Ferryman<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Celia Keenan-Bolger,\u00a0<em><span style=\"color: #dea2a8;\">To Kill a Mockingbird<\/span><\/em><\/span><\/strong><br \/>\nKristine Nielsen,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\nJulie White,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\nRuth Wilson,\u00a0<em>King Lear<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmccpj003x3h66w4o3bstv@published\" data-word-count=\"38\"><strong>Best Performance by an Actor in a Featured Role in a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmccpj003x3h66w4o3bstv@published\" data-word-count=\"38\"><strong><span style=\"color: #dea2a8;\">Andr\u00e9 De Shields, <em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><br \/>\nAndy Grotelueschen,\u00a0<em>Tootsie<\/em><br \/>\nPatrick Page,\u00a0<em>Hadestown<\/em><br \/>\nJeremy Pope,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\nEphraim Sykes,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmcgqu00463h66hjetzdex@published\" data-word-count=\"23\"><strong>Best Performance by an Actress in a Featured Role in a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmcgqu00463h66hjetzdex@published\" data-word-count=\"23\">Lilli Cooper,\u00a0<em>Tootsie<\/em><br \/>\nAmber Gray,\u00a0<em>Hadestown<\/em><br \/>\nSarah Stiles,\u00a0<em>Tootsie<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Ali Stroker,\u00a0<em><span style=\"color: #dea2a8;\">Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/span><\/em><\/span><\/strong><br \/>\nMary Testa,\u00a0<em>Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmd4kb004g3h66cw7ll8e1@published\" data-word-count=\"20\"><strong>Best Scenic Design of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmd4kb004g3h66cw7ll8e1@published\" data-word-count=\"20\">Miriam Buether,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\nBunny Christie,\u00a0<em>Ink<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Rob Howell,\u00a0<em><span style=\"color: #dea2a8;\">The Ferryman<\/span><\/em><\/span><\/strong><br \/>\nSanto Loquasto,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\nJan Versweyveld,\u00a0<em>Network<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdchs004o3h66m2sc03qa@published\" data-word-count=\"28\"><strong>Best Scenic Design of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdchs004o3h66m2sc03qa@published\" data-word-count=\"28\">Robert Brill &amp; Peter Nigrini,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\nPeter England,\u00a0<em>King Kong<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Rachel Hauck,\u00a0<em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><br \/>\nLaura Jellinek,\u00a0<em>Rodgers &amp;amp; Hammerstein\u2019s Oklahoma!<\/em><br \/>\nDavid Korins,\u00a0<em>Beetlejuice<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdf6q004x3h6610wg4ue4@published\" data-word-count=\"21\"><strong>Best Costume Design of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdf6q004x3h6610wg4ue4@published\" data-word-count=\"21\"><strong><span style=\"color: #dea2a8;\">Rob Howell,\u00a0<em><span style=\"color: #dea2a8;\">The Ferryman<\/span><\/em><\/span><\/strong><br \/>\nToni-Leslie James,\u00a0<em>Bernhardt\/Hamlet<\/em><br \/>\nClint Ramos,\u00a0<em>Torch Song<\/em><br \/>\nAnn Roth,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\nAnn Roth,\u00a0<em>To Kill a Mockingbird<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdu9000573h66a2yo4mx8@published\" data-word-count=\"25\"><strong>Best Costume Design of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdu9000573h66a2yo4mx8@published\" data-word-count=\"25\">Michael Krass,\u00a0<em>Hadestown<\/em><br \/>\nWilliam Ivey Long,\u00a0<em>Beetlejuice<\/em><br \/>\nWilliam Ivey Long,\u00a0<em>Tootsie<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Bob Mackie,\u00a0<em><span style=\"color: #dea2a8;\">The Cher Show<\/span><\/em><\/span><\/strong><br \/>\nPaul Tazewell,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdxx1005f3h66i6079mzx@published\" data-word-count=\"26\"><strong>Best Lighting Design of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmdxx1005f3h66i6079mzx@published\" data-word-count=\"26\"><strong><span style=\"color: #dea2a8;\">Neil Austin,\u00a0<em><span style=\"color: #dea2a8;\">Ink<\/span><\/em><\/span><\/strong><br \/>\nJules Fisher &amp; Peggy Eisenhauer,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><br \/>\nPeter Mumford,\u00a0<em>The Ferryman<\/em><br \/>\nJennifer Tipton,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\nJan Versweyveld &amp; Tal Yarden,\u00a0<em>Network<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpme312005o3h66lwqaedpk@published\" data-word-count=\"27\"><strong>Best Lighting Design of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpme312005o3h66lwqaedpk@published\" data-word-count=\"27\">Kevin Adams,\u00a0<em>The Cher Show<\/em><br \/>\nHowell Binkley,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Bradley King,\u00a0<em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><br \/>\nPeter Mumford,\u00a0<em>King Kong<\/em><br \/>\nKenneth Posner &amp; Peter Nigrini,\u00a0<em>Beetlejuice<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmemgz005y3h66l8l6unvf@published\" data-word-count=\"16\"><strong>Best Sound Design of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmemgz005y3h66l8l6unvf@published\" data-word-count=\"16\">Adam Cork,\u00a0<em>Ink<\/em><br \/>\nScott Lehrer,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Fitz Patton,\u00a0<em><span style=\"color: #dea2a8;\">Choir Boy<\/span><\/em><\/span><\/strong><br \/>\nNick Powell,\u00a0<em>The Ferryman<\/em><br \/>\nEric Sleichim,\u00a0<em>Network<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmeusk00663h66houfroh7@published\" data-word-count=\"29\"><strong>Best Sound Design of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmeusk00663h66houfroh7@published\" data-word-count=\"29\">Peter Hylenski,\u00a0<em>Beetlejuice<\/em><br \/>\nPeter Hylenski,\u00a0<em>King Kong<\/em><br \/>\nSteve Canyon Kennedy,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\nDrew Levy,\u00a0<em>Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Nevin Steinberg &amp; Jessica Paz,\u00a0<em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmexru006e3h66c83k3k8k@published\" data-word-count=\"21\"><strong>Best Direction of a Play<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmexru006e3h66c83k3k8k@published\" data-word-count=\"21\">Rupert Goold,\u00a0<em>Ink<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Sam Mendes,\u00a0<em><span style=\"color: #dea2a8;\">The Ferryman<\/span><\/em><\/span><\/strong><br \/>\nBartlett Sher,\u00a0<em>To Kill a Mockingbird<\/em><br \/>\nIvo van Hove,\u00a0<em>Network<\/em><br \/>\nGeorge C. Wolfe,\u00a0<em>Gary: A Sequel to Titus Andronicus<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmf0fu006n3h666ae3lrhm@published\" data-word-count=\"24\"><strong>Best Direction of a Musical<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmf0fu006n3h666ae3lrhm@published\" data-word-count=\"24\"><strong><span style=\"color: #dea2a8;\">Rachel Chavkin,\u00a0<em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><br \/>\nScott Ellis,\u00a0<em>Tootsie<\/em><br \/>\nDaniel Fish,\u00a0<em>Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/em><br \/>\nDes McAnuff,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><br \/>\nCasey Nicholaw,\u00a0<em>The Prom<\/em><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmfnxn00753h66shbb15gf@published\" data-word-count=\"21\"><strong>Best Choreography<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmfnxn00753h66shbb15gf@published\" data-word-count=\"21\">Camille A. Brown,\u00a0<em>Choir Boy<\/em><br \/>\nWarren Carlyle,\u00a0<em>Kiss Me, Kate<\/em><br \/>\nDenis Jones,\u00a0<em>Tootsie<\/em><br \/>\nDavid Neumann,\u00a0<em>Hadestown<\/em><br \/>\n<strong><span style=\"color: #dea2a8;\">Sergio Trujillo,\u00a0<em><span style=\"color: #dea2a8;\">Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/span><\/em><\/span><\/strong><\/p>\n<h3 class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmfl4d006x3h66pk12ypdt@published\" data-word-count=\"25\"><strong>Best Orchestrations<\/strong><\/h3>\n<p class=\"clay-paragraph\" data-editable=\"text\" data-uri=\"www.vulture.com\/_components\/clay-paragraph\/instances\/cjwpmfl4d006x3h66pk12ypdt@published\" data-word-count=\"25\"><strong><span style=\"color: #dea2a8;\">Michael Chorney &amp; Todd Sickafoose,\u00a0<em><span style=\"color: #dea2a8;\">Hadestown<\/span><\/em><\/span><\/strong><br \/>\nSimon Hale,\u00a0<em>Tootsie<\/em><br \/>\nLarry Hochman,\u00a0<em>Kiss Me, Kate<\/em><br \/>\nDaniel Kluger,\u00a0<em>Rodgers &amp; Hammerstein\u2019s Oklahoma!<\/em><br \/>\nHarold Wheeler,\u00a0<em>Ain\u2019t Too Proud \u2014 The Life and Times of the Temptations<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last night at the Tony Awards, Ali Stroker became the first person who uses a wheelchair to win the coveted Tony Award. Stroker won for her portrayal of Ado Annie in the current production of Oklahoma!\u00a0It is exciting that Oklahoma!,\u00a0a Rodgers and Hammerstein musical almost one hundred years old that is considered to have changed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[1054,1052,1059],"class_list":["post-11083","post","type-post","status-publish","format-standard","hentry","category-power-of-art-cat","tag-culture","tag-news","tag-trending"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ALI STROKER WINS TONY, MAKING HISTORY ON FOUR WHEELS - Ovation TV<\/title>\n<meta name=\"description\" content=\"Last night at the Tony Awards, Ali Stroker became the first person who uses a wheelchair to win the coveted Tony Award. 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